1969 - 70
The life-size, polished aluminium sculpture is Priska von Martin's largest work in terms of size and, for the first time, required the artist to plan the production of the sculpture based on the conditions of the work. The elongated and defamiliarised limbs of the surreal body devoid of identity emerge from a torso simulating moving fabric. Von Martin's title "No No San" refers to a Japanese nursery rhyme and contains an associative memory of a childhood experience on the part of the artist.